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Numerology 2 Documentation |
OverviewThe Gate Sequencer operates similarly to the CV Sequencer, except that instead of generating continuous values for each step, it generates a gate signal, which alternates between two values: 1.0 and 0.0. You can think of these values as alternating "on" and "off" signals. When routed into a NoteGen module, these on/off values are used to trigger MIDI NoteOn and NoteOff messages. This sequencer will generate a new gate signal for each new step, except when the step value is 0.0 (displayed as "--"), where it will generate no gate. Within the duration of a single step, the length of the 'on' value is determined by the value of the slider: the higher the value of the slider, the longer the gate is held open. If the value of the slider is 1.0 (the maximum value), the gate will be on for the length of the whole step, and into the next step, if the gate value of the next step is greater than zero. Other than the values it generates, this module is almost exactly like the CV Sequencer. Sequenced ParametersAll of the sequenced parameters in the Gate Sequencer are accessed via rows of controls (either sliders or buttons) that live in the center-section of the front panel of the module. Step Labels, Start Step & End StepThe step labels are in a row along the top of the sequenced parameters section. They are not parameters in themselves, but two important non-sequenced parameters are embedded here: the start step (which has a green marker), and the end step (which has a red marker). Together, these two settings (drag them with the mouse to change them) set the range of steps that are 'active' in the sequence. For instance, the easiest way to set the length of the sequence to 8 steps is to drag the end step to step 8. These parameters are completely flexible: the start can come after the end step, or they can even be the same (for a one-step sequence). Skip StepsThis row of buttons allows you to remove a step completely from the sequence. This is a surprisingly useful feature for creating variations on a sequence -- particularly during a live performance. Skip Action MenuTo the left of the skip buttons is a small action menu with several items that operate on the skip steps. These are very handy for manipulating the state of the skip buttons.
This is where you set the length of the Gate values in the sequence. Select StepsThis row of buttons appears between the pitch row and the timing row. It allows you to select arbitrary sets of sequencer steps for further modification. In particular, anytime a slider for a selected step is moved, all other selected steps will moved by the same relative amount. Select Action MenuAs with the skip steps, there is an action menu to the left of the select row that has some handy operations you can perform on the select buttons:
To the left of the sequencer, there are several controls grouped into two sections. From top to bottom, they are the transport controls, and the sequencer's rate and direction controls. ResetPerforms an immediate reset of the sequencer. Useful for generating out-of sync rhythmic effects. Play/StopThis is a two-state button that allows you to start and stop the sequence. By default, this control is tied to the master transport. You can change this behavior by changing the RunMode of the sequencer (more on that below). RateIn Numerology 1.4, this parameter was called "Clock Division". It controls the default length of the sequencer's steps, and thus, how quickly it plays. By default, this control is calibrated in tradition musical rhythmic values, but the Rate Mode parameter allows you to change this. Rate ModeThis allows you to change how you specify the rate (or tempo) of the sequence. There are three modes:
Sets the direction of the sequence to forwards, backwards, a combination of the two, or random. The 'Alt1' setting causes the sequence to move alternately forwards and backwards without repeating the start and end steps. The 'Alt2' setting is similar, except that the start and end step are repeated. Hard SyncIf this parameter is set to anything other than 'None', it will force a sequencer reset at regular musical intervals calibrated in beats. This is a good way to force the sequence to a repeatable pattern regardless of its other settings. For instance, if the clock division is in 16th notes, you can set the hard sync to every 4 beats, then change start step, end step and skip step settings while still maintaining a pattern that repeats every 4 beats. The Right SideSkip & Select Clear ButtonsTo the immediate right of the skip and select button rows, there is a small button with an 'x' on it. These buttons will clear (deactivate) all of the step values for that parameter type. Randomize MenuThis allows you to roughly control how many parameters are modified by the randomize operation. Randomize ButtonThis 'action' button triggers randomization of parameters based on the setting of the randomize menu. Shift Left/RightThis 'action' will shift all steps values in the sequence one step to the left or right (with rollover of the boundary values). This is a very useful way to vary a pattern: by shifting it relative to other patterns. Normalize AllThis will set all of the values in the sequence to 0.5, generating a 50% gate for every step. Zero AllThis will set all of the values in the sequence to 0.0, stopping the generation of any gate 'on' signals. Gate AdjustThis parameter allows you to smoothly vary the length of all gates at the same time. Advanced Parameters |
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Max Size This sets the overall length of the sequencer, which can be up to 128 steps long. Auto-Reset (Steps)This parameter is very similar to hard sync, but instead of resetting the sequence after a set number of beats, this one resets it after a set number of steps. Module Run Mode Settings : Customized Playback
These four parameters (Play Mode, Beat Quantize, Loop & Auto Reset) provide a wide range of possible options for triggering playback of the sequencer from an external CV source, such as another sequencer. To view this dialog, click on the 'E' button just below the mini-transport for the module. Play ModeThis controls how playback of the sequencer starts and stops. The normal mode is for the sequencer to be tied to the master transport of the project, starting and stopping automatically. But you can also set the sequencer to be fully independent, or remotely triggered via a CV trigger.
When this is on, which is the default, any playback triggers are quantized in time to the following beat. In general, this is the behavior you want for "live MIDI" triggers, as it makes it much easier to time the triggering of a sequence. For CV triggers coming from other modules within Numerology, you will probably want this turned off. LoopThis determines whether the sequencer will keep playing when it gets to the last step of the sequence (by auto-resetting to the first step of the sequence). Then this is off, the sequence is considered to be a "One-Shot" : it plays once, and that is it. Auto ResetThis determines if a sequence resets (returns to it's start step), when it is stopped. It is almost always on, but when turned off, can result in some interesting playback behavior. Ports |
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Clock In This is where clock signals are input to the module. All sequencers must have a clock signal in order to run. By default, each sequencer's clock in port is connected to the "Clock" port on the Stack Input module, which in turn is connected to the master clock for the project. Trigger InThis input is used in conjunction with one of the "CV Trig" Run Modes, and allows you to control playback of the sequence from any CV source, usually another sequencer. Divide InCV inputs in the range of 1.0 to 16.0 will cause the sequencer to sub-divide the generation of gate values for the current step. This can cause interesting "stuttering" effects. Gate OutThis is the main output port for Gate values generated by the sequencer. Per-Step TrigA 1-sample trigger is generated on this CV output each time the sequencer begins a new step. Step Num OutThis CV output always carries the step number of the sequencer, which is it's current location. |
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